Mathilde (Dominique Blanc) has had a number of children, but is still an attractive woman. One day her husband simply picks up and leaves without any explanation whatever. At about the same time, she is involved at an accident at her workplace which makes her strongly aware of the passage of time. Can she once more know the love of a man? She has enough suitors: Charlie, though dull, has been in love with her since she could remember; Jacques is the father of one of her children; Mano has moved to the north of France from Spain, and wants to refurbish her house for her. Without rushing, she carefully considers each man (and her absent husband) in the context of her life, what she wants from it, and what is possible.

It portrays the memories of Matilda Kshesinskaya and her love affair with the last Tsar of Russia, Nicholas II. Matilda, a Polish-born ballerina from the Mariinsky Theatre in St. Petersburg, had a brief and intense romance with Nicholas between 1892 and 1894, before Nicholas married Alexandra Feodorovna and was crowned Tsar after his father's death. It also explores their relationship, facing societal pressures and interference from Nicholas's mother, Empress Maria Feodorovna, as well as Matilda's involvement with other members of the imperial family, the Romanovs, such as Grand Duke Sergei Mikhailovich and Grand Duke Andrei Vladimirovich.

A young girl attempts to kill a UN peacekeeper after the war in Croatia, leading to an investigation into the circumstances of their first meeting.

One day, David leaves town to pay a visit to his father. A somewhat ordinary trip to the country. But looking closer, thousands of little details catch your attention. In usual films, these details are arranged to build a story, while we tried to subject the story to its details.

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There is only the rain to recall my anguish. And sometimes I cry your name.

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A 20-year long friendship and a past similarly marked by tragic events unite Ben, a European filmmaker, and Negi, an Indian Buddhist. Fascinated by the possibility of finding in Negi a spiritual guide to come to terms with death, Ben relives and shares his personal story. His journey leads him to deal with the role life has given him, closely linked to his relationship with his father. As the impossibility of finding clear and definitive answers becomes apparent, the deeply human need to accept death emerges, transcending cultural, religious, and geographical barriers.